In the early spring of 1962, the combo logged a series of now classic recordings at the Village Vanguard which led to the formation of the group that would become known as the Bill Evans Trio. The pianist had already been recording as a leader with his own quintet since 1959. In January he brought his quintet to New York to play two nights at the Village Vanguard. He played a second set at the club the following week. The tracks from the second set would become part of the Bill Evans Trio Live at the Village Vanguard.
However, the quintet had a following of its own, and on April 13th the quintet itself was the focus, with soloists in the third position taking the limelight. This first set of tracks from the April 13th gig were recorded in the same session as the tracks that would become part of the Live at the Village Vanguard album. It is the only known recording of the Bill Evans Trio with a different pianist, with Bob Berg and Leon Breeden respectively. The material on the two sets is very similar, with only one change being one of the stand-out alto solos on the first set from the December 30th session. In the live set, that alto is done by a young guitarist, Keith Jarrett.
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