This electrifying ballet by the eminent George Balanchine is an abstract triptych, performed to compositions by, respectively, Fauré, Stravinsky, and Tchaikovsky, with the ever intriguing choreographer's recognizable use of stage techniques permitting the emphasis of the work to be upon the matchless dancing by members from the Paris Opera Ballet, even upon consideration of designer Christian LaCroix' essay into the medium of classical ballet costuming. Balanchine's inspiration for Joyaux, presented here upon the stage of the delightfully ornamental Palais Garnier in Paris, before a live audience, came from showcase windows of the celebrated Manhattan jewelers, Van Cleef and Arpels, from which originated the disparate gem-based imagery created for the affair: emeralds, rubies, and diamonds. The persona of Balanchine seems to be immediate throughout. The French company is one of but six that include Joyaux within their repertories, and this performance makes it clear that the Paris Opera Ballet shall provide a touchstone for Balanchine's dazzling invention for a good many years later than this 2005 production that features a magnificent corps, and the tightly trained Orchestre national de l'Opera de Paris beneath the skillful baton of Paul Connelly. Etoiles and other soloists from the French company sparkle as might the jewels that they depict during this ambitiously staged masterpiece that additionally benefits from the designing of Christian Lacroix that gives the ballet the character of being a brand new creation, despite its public debut in 1967 when performed by Balanchine's New York City Ballet. An Opus Arte DVD is currently the sole video source for Joyaux. It includes a fine documentary: "George Balantine Forever", that features interviews of several Paris Opera Ballet étoiles, and other soloists. These are supplied with optional subtitles. The entire DVD, one that provides excellent visual and sound quality, runs for greater than one and one-half hours, during which it effectively presents a superior ballet creation, one that should become a requisite inclusion for any viewer's dance collection on film as it showcases a great deal of matchless balletic execution.
The torrent sculpin (Cottus rhotheus) is a freshwater sculpin. Like most cottids, the torrent sculpin is a benthic species characterized by large, rounded pectoral fins, a large, flattened head with dorsal eyes, and a body and head frequently covered with spines or prickles (Moyle and Cech 1996). The torrent sculpin is gray-brown with black speckling and has a heavily mottled chin and has two forward-slanting, dark bands on both sides of its body under the soft, posterior portion of the dorsal fin. During spawning season, males darken, and the upper fringe of the anterior dorsal fin turns a bright orange (Troffe 1999). The torrent sculpin is often larger than many other species of freshwater sculpins, reaching a maximum length of approximately 150 mm (Wydoski and Whitney 2003). Morphological characteristics that distinguish the torrent sculpin from other sculpin species are its large head (generally greater than 30 percent of its total body length), complete lateral line, slender caudal peduncle, strongly mottled chin, wide mouth (wider than body width at the pectoral fins, well-developed palatine teeth, and two chin pores (Wydoski and Whitney 2003; Holton and Johnson 2003).
The torrent sculpin is native to the Pacific Northwest and is found in Washington, Oregon, British Columbia, Idaho, and Montana. It occurs primarily in tributary systems of the Columbia River basin, but also occurs in the Fraser River System in British Columbia, and in coastal streams from Oregon to British Columbia. In Montana, the torrent sculpin has only been found in the northwestern part of the state in the Kootenai River drainage (Brown 1971; Gangemi 1992; Figure 1). Torrent sculpin distribution appeared to be restricted to tributary streams of the Kootenai River in close proximity to the main river, although the species was present at distances greater than 5 km from the main river in Tobacco River tributaries (Gangemi 1992). Sculpins were formerly legal live baitfish in Montana, but there is no evidence suggesting this practice has expanded the range of the torrent sculpin in Montana (Hendricks 1997). The slimy sculpin C. cognatus is the only other sculpin species that has been found to co-occur with the torrent sculpin in Montana (Gangemi 1992). Whereas interbreeding between the two species is possible, the limited genetic work that has been conducted has not shown any evidence of hybridization (Hendricks 1997).
The torrent sculpin is primarily a lotic species found in clear, cold streams with swift current, but also occurs to a lesser extent in rocky shoals of lakes (Holton and Johnson 2003; Wydoski and Whitney 2003). Lotic torrent sculpin are typically found in streams greater than 2.4 m wide (Wydoski and Whitney 2003). For example, in northern Idaho, streams with torrent sculpin averaged 10.4 m wide (Quintela 2004). Like other sculpins, the torrent sculpin is most frequently found in fast-water habitat (riffles, runs, and cascades), and less frequently in pools (Finger 1982; Roni 2002; Wydoski and Whitney 2003). Wydoski and Whitney (2003) reported that torrent sculpin collected from streams on the Olympic Peninsula in Washington were found in riffles and runs slightly over 70 percent of the time and in pools just 31 percent of the time. As a benthic species, the presence of torrent sculpin is closely associated with substrate composition. It is most abundant when stable cobble or gravel substrate is available (Finger 1982; Wydoski and Whitney 2003; Quintela 2004). The species likely uses the interstices in coarse substrate as cover and as a place to find food (e.g., Brusven and Rose 1981).
The torrent sculpin feeds predominately on zooplankton and aquatic insect larvae as a sub-adult; adult diets also include small fish and fish eggs (Northcote 1954; Brown 1971; Patten 1971; Pasch and Lyford 1972; Troffe 1999). The torrent sculpin, with its large mouth and larger overall size, has the ability to select bigger prey items than other species of freshwater sculpins (Northcote 1954; Pasch and Lyford 1972; Wydoski and Whitney 2003). In situations where the species is sympatric with another sculpin species, the ability to select a wider variety of prey sizes likely offers the torrent sculpin a competitive advantage. Sculpins, including the torrent sculpin, tend to be prevalent and abundant in salmonid streams (Bailey 1952; McCleave 1964; Maret and MacCoy 2002), and provide an important food source for many salmonids (Brown 1971; Wydoski and Whitney 2003).
Torrent sculpin can live as long as six years and reaches sexual maturity by age two, at approximately 57 mm in total length (Brown 1971; Wydoski and Whitney 2003). Spawning occurs in late spring, generally in April and May (Brown 1971; Thomas 1973; Wydoski and Whitney 2003). Like other freshwater cottids, the torrent sculpin spawns in nests located under rocks in swift water (Wydoski and Whitney 2003). The female deposits adhesive eggs on the underside of an overhanging rock and the male then fertilizes them (Simon and Brown 1943; Bailey 1952). The fecundity of female torrent sculpin is a function of body size, with larger females producing approximately 500 eggs and smaller females producing far fewer (Troffe 1999; Wydoski and Whitney 2003). After fertilizing the eggs, male sculpins remain at the nest, attending it until the young are hatched (Simon and Brown 1943; Bailey 1952; Mousseau et al. 1987; Bateman and Li 2001; Montana Fish, Wildlife, and Parks 2005). Torrent sculpin fry may emerge from the nest as early as August (Northcote 1954; Brown 1971) and presumably like other cottids, drift and disperse downstream (Sheldon 1968).
Movements of torrent sculpin are poorly understood. In Washington, torrent sculpin have been documented moving upstream to spawn from late-January to mid-April, then moving back downstream, presumably to pre-spawning nodal habitats, after completion of spawning in May and June (Thomas 1973). The magnitude of these movements is unknown. Several researchers have found freshwater sculpins to be rather restricted in their movements (Bailey 1952; McCleave 1964; Brown and Downhower 1982), with the farthest recorded movement by a freshwater cottid in North America being 209 m (Schmetterling and Adams 2004). The relatively sedentary life history presumed for the torrent sculpin is supported by limited genetic work that has been conducted in Montana showing very low heterozygosity (0-0.2%) among analyzed fish (Hendricks 1997).
In Montana, the torrent sculpin is likely most threatened by land use practices that could diminish habitat quality. Lee et al. (1997) considered sedimentation, increased water temperature, and pollution as the major potential negative impacts to the torrent sculpin. Common sources of these impacts include unregulated livestock grazing, poor logging practices, mining wastes, irrigation diversions, roads, and urbanization (Marcus et al. 1990; Meehan 1991). The torrent sculpin is thought to be intolerant of poor water quality (Maughan and Laumeyer 1974; Hughes and Gammon 1987; Friesen and Ward 1996; Maret and MacCoy 2002), and is unlikely to persist when faced with high levels of habitat degradation.
Like all other sculpin species, the torrent sculpin is classified as a non-game fish species by Montana Fish, Wildlife and Parks. This classification is based primarily on its small size and lack of sport or food fish qualities. Although commercial baitfish harvest is allowed for many non-game fish species in Montana, the harvest of sculpins for this purpose is no longer permitted. It is unknown whether the torrent sculpin has been extirpated from any of its historic range in Montana.
A primary focus of managing the torrent sculpin in Montana should be to more accurately determine the status of the species. Efforts should be made to describe its complete range, as well as to estimate abundance at locations where its presence is currently known. Populations should be routinely monitored to describe population trends over time. Additionally, further research into the life history of the species is also needed. Much of the life history of the torrent sculpin is poorly understood (e.g., movement), and is commonly assumed to be similar to that of other freshwater cottids. The torrent sculpin should also be protected from habitat degradation and loss by managing land uses, particularly those that could result in increased sedimentation, water temperature, or pollution. 2b1af7f3a8